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\/><img src='https:\/\/nadereartsvivants.com\/wp-content\/uploads\/2026\/11\/puissanceX-300dpi\u00a9Christian_Leduc-9309-scaled.jpg' alt='' class='envira_noscript_images ' \/><img src='https:\/\/nadereartsvivants.com\/wp-content\/uploads\/2026\/11\/puissanceX-300dpi\u00a9Christian_Leduc-0874-scaled.jpg' alt='' class='envira_noscript_images ' \/><img src='https:\/\/nadereartsvivants.com\/wp-content\/uploads\/2026\/11\/puissanceX-300dpi\u00a9Christian_Leduc-0857-scaled.jpg' alt='' class='envira_noscript_images ' \/><\/noscript><\/div><div class=\"x-column x-sm x-1-2 e1938-e7 m1hu-4 m1hu-5 m1hu-7\"><div class=\"x-container e1938-e8 m1hu-2 m1hu-3\"><div class=\"x-column x-sm x-1-1 e1938-e9 m1hu-4 m1hu-8 equal-height\"><div class=\"x-text x-text-headline e1938-e10 m1hu-b\"><div class=\"x-text-content\"><div class=\"x-text-content-text\"><h1 class=\"x-text-content-text-primary\">Amplitudes int&eacute;rieures<\/h1>\n<\/div><\/div><\/div><div class=\"x-text x-content e1938-e11 m1hu-c height100\"><div class=\"caps\">\n<p>&nbsp;<\/p>\n<p><strong>STATUS<\/strong><br \/>PUBLICATION, PERFORMATIVE LECTURE AND ARTISTIC ENGAGEMENT<\/p>\n<p><strong>YEAR OF CREATION<br \/><\/strong>2026<\/p>\n<\/div>\n<p class=\"x12ofw9d\">In her book <em>Amplitudes int&eacute;rieures<\/em>, Andr&eacute;ane Leclerc explores the performing body through the combined legacies of contortion, somatic practices, physical dramaturgy, and performance art. Drawing on nearly twenty-five years of research, she approaches contortion as a practice of listening, relating, and transformation, one that allows us to access the stories held within the body and give them a voice.<\/p>\n<p class=\"x12ofw9d\">Her approach invites an inward journey, opening up new possibilities for movement. It is rooted in exercises that encourage the creation of space within the body through imagery that enables bodily reorganization. Inner territories emerge as landscapes, characters, and sensations.<\/p>\n<p class=\"x12ofw9d\">Movement arises from a relationship with these images rather than from the will to produce a gesture. The practice is open to everyone and requires no particular physical abilities. It can be explored individually or in a group.<\/p><\/div><div class=\"x-acc e1938-e12 m1hu-d\" id=\"x-acc-e1938-e12\"><div class=\"e1938-e13 x-acc-item\"><button id=\"tab-e1938-e13\" class=\"x-acc-header x-active\" role=\"button\" aria-expanded=\"true\" aria-controls=\"panel-e1938-e13\" data-x-toggle=\"collapse\" data-x-toggleable=\"e1938-e13\" type=\"button\"><span class=\"x-acc-header-content\"><span class=\"x-acc-header-indicator\">&#x25b8;<\/span><span class=\"x-acc-header-text\">Cr\u00e9dits<\/span><\/span><\/button><div id=\"panel-e1938-e13\" role=\"region\" aria-hidden=\"false\" aria-labelledby=\"tab-e1938-e13\" data-x-toggleable=\"e1938-e13\" data-x-toggle-collapse=\"1\"><div class=\"x-acc-content\"><h5 data-pm-slice=\"1 1 [&quot;orderedList&quot;,{&quot;start&quot;:1,&quot;type&quot;:null},&quot;listItem&quot;,{}]\">Writing mentor<\/h5>\n<p data-pm-slice=\"1 1 [&quot;orderedList&quot;,{&quot;start&quot;:1,&quot;type&quot;:null},&quot;listItem&quot;,{}]\"><strong>H\u00e9l\u00e8ne Bacquet<\/strong><\/p>\n\n<h5 data-pm-slice=\"1 1 [&quot;orderedList&quot;,{&quot;start&quot;:1,&quot;type&quot;:null},&quot;listItem&quot;,{}]\"><strong>Additional Contributors<\/strong><\/h5>\n<p data-pm-slice=\"1 1 [&quot;orderedList&quot;,{&quot;start&quot;:1,&quot;type&quot;:null},&quot;listItem&quot;,{}]\"><strong>H\u00e9l\u00e8ne Bacquet, Marie-Eve De Chavigny,<\/strong><br \/>\n<strong>Gabrielle Demers, Jean-Jacques<\/strong><br \/>\n<strong>Lachapelle, Paloma Leyton, B\u00e9atriz<\/strong><br \/>\n<strong>Mediavilla, Olivia Pia Audet, Enora<\/strong><br \/>\n<strong>Rivi\u00e8re, Jie Yu<\/strong><\/p>\n\n<h5 data-pm-slice=\"1 1 [&quot;orderedList&quot;,{&quot;start&quot;:1,&quot;type&quot;:null},&quot;listItem&quot;,{}]\"><strong>Copy Editor and Proofreader<\/strong><\/h5>\n<p data-pm-slice=\"1 1 [&quot;orderedList&quot;,{&quot;start&quot;:1,&quot;type&quot;:null},&quot;listItem&quot;,{}]\"><strong>Diane Boucher<\/strong><\/p>\n\n<h5 data-pm-slice=\"1 1 [&quot;orderedList&quot;,{&quot;start&quot;:1,&quot;type&quot;:null},&quot;listItem&quot;,{}]\"><strong>Publisher<\/strong><\/h5>\n<p data-pm-slice=\"1 1 [&quot;orderedList&quot;,{&quot;start&quot;:1,&quot;type&quot;:null},&quot;listItem&quot;,{}]\"><strong>Collectif des \u00e9diteurs d\u2019art contemporain<\/strong><\/p>\n\n<h5><strong>Photographer<\/strong><\/h5>\n<p data-pm-slice=\"1 1 [&quot;orderedList&quot;,{&quot;start&quot;:1,&quot;type&quot;:null},&quot;listItem&quot;,{}]\"><strong>Christian Leduc<\/strong><\/p>\n\n<h5><strong>Illustrator<\/strong><\/h5>\n<p><strong>Maryline Fournier<\/strong><\/p>\n\n<h5 data-pm-slice=\"1 1 [&quot;orderedList&quot;,{&quot;start&quot;:1,&quot;type&quot;:null},&quot;listItem&quot;,{}]\"><strong>Graphic Design<\/strong><\/h5>\n<p data-pm-slice=\"1 1 [&quot;orderedList&quot;,{&quot;start&quot;:1,&quot;type&quot;:null},&quot;listItem&quot;,{}]\"><strong>bureau60a<\/strong><\/p>\n\n<h5><strong>Printer<\/strong><\/h5>\n<p data-pm-slice=\"1 1 [&quot;orderedList&quot;,{&quot;start&quot;:1,&quot;type&quot;:null},&quot;listItem&quot;,{}]\"><strong>Graphiscan<\/strong><\/p>\n\n<h5 data-pm-slice=\"1 1 [&quot;orderedList&quot;,{&quot;start&quot;:1,&quot;type&quot;:null},&quot;listItem&quot;,{}]\">Distributor<\/h5>\n<p data-pm-slice=\"1 1 [&quot;orderedList&quot;,{&quot;start&quot;:1,&quot;type&quot;:null},&quot;listItem&quot;,{}]\"><strong>Diffusion Dimedia Inc.<\/strong><\/p>\n\n<h5 data-pm-slice=\"1 1 [&quot;orderedList&quot;,{&quot;start&quot;:1,&quot;type&quot;:null},&quot;listItem&quot;,{}]\"><strong>Acknowledgements<\/strong><\/h5>\n<p data-pm-slice=\"1 1 [&quot;orderedList&quot;,{&quot;start&quot;:1,&quot;type&quot;:null},&quot;listItem&quot;,{}]\"><strong>Le Conseil des arts de Montr\u00e9al, le Conseil des arts et des lettres<\/strong><br \/>\n<strong>du Qu\u00e9bec et le Conseil des arts du Canada pour leur soutien financier<\/strong><\/p>\n<p data-pm-slice=\"1 1 [&quot;orderedList&quot;,{&quot;start&quot;:1,&quot;type&quot;:null},&quot;listItem&quot;,{}]\"><strong>Le Mus\u00e9e d\u2019art de Rouyn-Noranda, la Maison de la culture Notre-Dame-de-Gr\u00e2ce, \u00e0 Montr\u00e9al, et Lavanderia a Vapore \u00e0 Turin, en Italie, pour les r\u00e9sidences et la diffusion <\/strong><\/p>\n<p data-pm-slice=\"1 1 [&quot;orderedList&quot;,{&quot;start&quot;:1,&quot;type&quot;:null},&quot;listItem&quot;,{}]\"><strong>la Maison de la culture du Plateau-Mont-Royal, \u00e0 Montr\u00e9al, Espace DesPr\u00e9s, \u00e0 Sutton, et Le point de chute, \u00e0 Lachute, pour les r\u00e9sidences de cr\u00e9ation et d\u2019\u00e9criture.<\/strong><\/p>\n\n<h5 data-pm-slice=\"1 1 [&quot;orderedList&quot;,{&quot;start&quot;:1,&quot;type&quot;:null},&quot;listItem&quot;,{}]\"><span>We acknowledge the contributions of the artists who took part in the various stages of the research-creation process that led to the sharing of this practice<\/span><\/h5>\n<p data-pm-slice=\"1 1 [&quot;orderedList&quot;,{&quot;start&quot;:1,&quot;type&quot;:null},&quot;listItem&quot;,{}]\"><strong>Marc-Andr\u00e9 Goulet, Roxane Duchesne-Roy et Susan Paulson du Broke Lab, \u00e0 Montr\u00e9al ; Nicola ZaucedoMata d\u2019Airesis \u00e0 Guadalajara, au Mexique ; les artistes du Camp In et Research Camping du Lavanderia a Vapore \u00e0 Turin, en Italie.<\/strong><\/p>\n\n<h5 data-pm-slice=\"1 1 [&quot;orderedList&quot;,{&quot;start&quot;:1,&quot;type&quot;:null},&quot;listItem&quot;,{}]\"><strong>With Thanks to Our Donors<\/strong><\/h5>\n<p data-pm-slice=\"1 1 [&quot;orderedList&quot;,{&quot;start&quot;:1,&quot;type&quot;:null},&quot;listItem&quot;,{}]\"><strong> Valerie Archain, Martin Boucher, Esther Charron, Delphine Dagenais, Gabrielle Demers, Julie Desch\u00eanes, Daniel Dumont, Christel Durand, Marie H\u00e9l\u00e8ne Froment, Miriam Ginestier, Christophe Henquin, Jean-Jacques Lachapelle, Line Leclerc, Ren\u00e9 Leclerc, George Krump, Francine Pilon, Jocelyne Pilon, Marie-Eve Poirier, Eloi Savoie, Jack Udashkin et H\u00e9l\u00e8ne Duval, 1-800-Bob Dixon Consultant Inc., anonymes (10)<\/strong><\/p>\n<p><strong>\u00a0<\/strong><\/p><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Amplitudes int&eacute;rieures &nbsp; STATUSPUBLICATION, PERFORMATIVE LECTURE AND ARTISTIC ENGAGEMENT YEAR OF CREATION2026 In her book Amplitudes int&eacute;rieures, Andr&eacute;ane Leclerc explores the performing body through the combined legacies of contortion, somatic practices, physical dramaturgy, and performance art. Drawing on nearly twenty-five years of research, she approaches contortion as a practice of listening, relating, and transformation, one that allows us to access &#8230; <a href=\"https:\/\/nadereartsvivants.com\/en\/creation\/amplitudes-interieures-2\/\" class=\"more-link\">Read More<\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"parent":477,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_monsterinsights_skip_tracking":false,"footnotes":"","_links_to":"","_links_to_target":""},"class_list":["post-1938","page","type-page","status-publish","hentry","no-post-thumbnail"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Amplitudes int\u00e9rieures (Anglais) - Nad\u00e8re arts vivants<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/nadereartsvivants.com\/en\/creation\/amplitudes-interieures-2\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Amplitudes int\u00e9rieures (Anglais) - Nad\u00e8re arts vivants\" \/>\n<meta property=\"og:description\" content=\"Amplitudes int&eacute;rieures &nbsp; STATUSPUBLICATION, PERFORMATIVE LECTURE AND ARTISTIC ENGAGEMENT YEAR OF CREATION2026 In her book Amplitudes int&eacute;rieures, Andr&eacute;ane Leclerc explores the performing body through the combined legacies of contortion, somatic practices, physical dramaturgy, and performance art. 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