{"id":477,"date":"2019-07-19T19:14:52","date_gmt":"2019-07-19T23:14:52","guid":{"rendered":"https:\/\/nadereartsvivants.com\/projets\/"},"modified":"2024-12-05T15:57:58","modified_gmt":"2024-12-05T20:57:58","slug":"creation","status":"publish","type":"page","link":"https:\/\/nadereartsvivants.com\/en\/creation\/","title":{"rendered":"Creation"},"content":{"rendered":"<div id=\"cs-content\" class=\"cs-content\"><div class=\"x-section e477-e1 md9-0\"><div class=\"x-container marginless-columns e477-e2 md9-1\"><div class=\"x-column x-sm x-1-3 e477-e3 md9-2 md9-3\"><a class=\"x-image e477-e4 md9-5\" href=\"https:\/\/nadereartsvivants.com\/en\/lerrante\/\"><img decoding=\"async\" src=\"https:\/\/nadereartsvivants.com\/wp-content\/uploads\/2022\/03\/\u00a9Leduc-1web-8317.jpg\" width=\"665\" height=\"1000\" alt=\"Image\" loading=\"lazy\"><\/a><\/div><div class=\"x-column x-sm x-2-3 e477-e5 md9-2 md9-4\"><div class=\"x-text x-text-headline e477-e6 md9-6\"><div class=\"x-text-content\"><div class=\"x-text-content-text\"><h1 class=\"x-text-content-text-primary\">&Agrave; l'Est de Nod<\/h1><\/div><\/div><\/div><div class=\"x-text x-content e477-e7 md9-7 md9-8\"><p>A physical reflection on boundaries and delimitations, this creation questions our relationship to the physical, disciplinary and belief space in order to implode the product-producer system and penetrate an area where there is only energy exchange, wandering and movement, and no end in itself. <br \/>\nCreation : 2021<\/p><\/div><a class=\"x-anchor x-anchor-button has-graphic e477-e8 md9-a md9-b\" tabindex=\"0\" href=\"https:\/\/nadereartsvivants.com\/en\/a-lest-de-nod\/\"><div class=\"x-anchor-content\"><span class=\"x-graphic\" aria-hidden=\"true\"><i class=\"x-icon x-graphic-child x-graphic-icon x-graphic-primary\" aria-hidden=\"true\" data-x-icon-l=\"&#xf0fe;\"><\/i><\/span><\/div><\/a><\/div><\/div><div class=\"x-container marginless-columns e477-e9 md9-1\"><div class=\"x-column x-sm x-1-3 e477-e10 md9-2 md9-3\"><a class=\"x-image e477-e11 md9-5\" href=\"https:\/\/nadereartsvivants.com\/en\/sang-bleu\/\"><img decoding=\"async\" src=\"https:\/\/nadereartsvivants.com\/wp-content\/uploads\/2019\/07\/1A9A6119-1.jpg\" width=\"1200\" height=\"1800\" alt=\"Image\" loading=\"lazy\"><\/a><\/div><div class=\"x-column x-sm x-2-3 e477-e12 md9-2 md9-4\"><div class=\"x-text x-text-headline e477-e13 md9-6\"><div class=\"x-text-content\"><div class=\"x-text-content-text\"><h1 class=\"x-text-content-text-primary\">Sang Bleu<\/h1><\/div><\/div><\/div><div class=\"x-text x-content e477-e14 md9-7 md9-8\"><p>Sang Bleu is an exploration of the body and its relationship to the matter that composes it. Clusters of flesh and bacteria, the bodies penetrate, devour and decompose.<br \/>\nCreation : 2018<\/p><\/div><a class=\"x-anchor x-anchor-button has-graphic e477-e15 md9-a md9-c\" tabindex=\"0\" href=\"https:\/\/nadereartsvivants.com\/en\/sang-bleu\/\"><div class=\"x-anchor-content\"><span class=\"x-graphic\" aria-hidden=\"true\"><i class=\"x-icon x-graphic-child x-graphic-icon x-graphic-primary\" aria-hidden=\"true\" data-x-icon-l=\"&#xf0fe;\"><\/i><\/span><\/div><\/a><\/div><\/div><div class=\"x-container marginless-columns e477-e16 md9-1\"><div class=\"x-column x-sm x-1-3 e477-e17 md9-2 md9-3\"><a class=\"x-image e477-e18 md9-5\" href=\"https:\/\/nadereartsvivants.com\/en\/the-whore-of-babylon-featuring-the-tiger-lillies\/\"><img decoding=\"async\" src=\"https:\/\/nadereartsvivants.com\/wp-content\/uploads\/2019\/07\/La-putain-de-babylone.jpg\" width=\"1512\" height=\"2016\" alt=\"Image\" loading=\"lazy\"><\/a><\/div><div class=\"x-column x-sm x-2-3 e477-e19 md9-2 md9-4\"><div class=\"x-text x-text-headline e477-e20 md9-6\"><div class=\"x-text-content\"><div class=\"x-text-content-text\"><h1 class=\"x-text-content-text-primary\">The Whore of Babylon featuring the Tiger Lillies<\/h1><\/div><\/div><\/div><div class=\"x-text x-content e477-e21 md9-7 md9-9\"><p>To the original music of the London cult group, The Whore of Babylon is a reinterpretation of the myth of the Great Harlot (Revelation, 17), a living, carnal, feminist fresco that embraces pleasure, explodes the forces of binary domination and all references to Good and Evil and overthrows Hell to make it the Paradise of God. .<br \/>Creation : 2015<\/p><\/div><a class=\"x-anchor x-anchor-button has-graphic e477-e22 md9-a md9-b\" tabindex=\"0\" href=\"https:\/\/nadereartsvivants.com\/en\/the-whore-of-babylon-featuring-the-tiger-lillies\/\"><div class=\"x-anchor-content\"><span class=\"x-graphic\" aria-hidden=\"true\"><i class=\"x-icon x-graphic-child x-graphic-icon x-graphic-primary\" aria-hidden=\"true\" data-x-icon-l=\"&#xf0fe;\"><\/i><\/span><\/div><\/a><\/div><\/div><div class=\"x-container marginless-columns e477-e23 md9-1\"><div class=\"x-column x-sm x-1-3 e477-e24 md9-2 md9-3\"><a class=\"x-image e477-e25 md9-5\" href=\"https:\/\/nadereartsvivants.com\/en\/cherepaka\/\"><img decoding=\"async\" src=\"https:\/\/nadereartsvivants.com\/wp-content\/uploads\/2019\/07\/21-octobre-201406-Cherepaka-Andreane-Leclerc-F.chais421.jpg\" width=\"1824\" height=\"2736\" alt=\"Image\" loading=\"lazy\"><\/a><\/div><div class=\"x-column x-sm x-2-3 e477-e26 md9-2 md9-4\"><div class=\"x-text x-text-headline e477-e27 md9-6\"><div class=\"x-text-content\"><div class=\"x-text-content-text\"><h1 class=\"x-text-content-text-primary\">Cherepaka<\/h1><\/div><\/div><\/div><div class=\"x-text x-content e477-e28 md9-7 md9-8\"><p><em>Cherepaka<\/em> means turtle in Russian. Composed of a shell and flesh, the Turtle carries within it the duality between eternity and ephemerality. Cherepaka depicts the death of a turtle and echoes the tension that inhabits human beings between their quest for infinity and the mortality of their animal flesh.<br \/>\nCreation : 2014<\/p><\/div><a class=\"x-anchor x-anchor-button has-graphic e477-e29 md9-a md9-b\" tabindex=\"0\" href=\"https:\/\/nadereartsvivants.com\/en\/cherepaka\/\"><div class=\"x-anchor-content\"><span class=\"x-graphic\" aria-hidden=\"true\"><i class=\"x-icon x-graphic-child x-graphic-icon x-graphic-primary\" aria-hidden=\"true\" data-x-icon-l=\"&#xf0fe;\"><\/i><\/span><\/div><\/a><\/div><\/div><div class=\"x-container marginless-columns e477-e30 md9-1\"><div class=\"x-column x-sm x-1-3 e477-e31 md9-2 md9-3\"><a class=\"x-image e477-e32 md9-5\" href=\"https:\/\/nadereartsvivants.com\/en\/dixparue\"><img decoding=\"async\" src=\"https:\/\/nadereartsvivants.com\/wp-content\/uploads\/2019\/07\/ANDREANE-STANKOVIC-Crop-1.jpg\" width=\"1202\" height=\"1800\" alt=\"Image\" loading=\"lazy\"><\/a><\/div><div class=\"x-column x-sm x-2-3 e477-e33 md9-2 md9-4\"><div class=\"x-text x-text-headline e477-e34 md9-6\"><div class=\"x-text-content\"><div class=\"x-text-content-text\"><h1 class=\"x-text-content-text-primary\">Di(x)parue<\/h1><\/div><\/div><\/div><div class=\"x-text x-content e477-e35 md9-7 md9-8\"><p>Di(x)parue is an in situ performance, a sensitive physical dialogue between the performer, the spectator, the place and the present moment. This abstract and ephemeral form, which will disappear at the end of the performance, is the result of a scenic research on phenomenology. Di(x)parue is a lived experience.<br \/>\nCreation : 2009<\/p><\/div><a class=\"x-anchor x-anchor-button has-graphic e477-e36 md9-a md9-b\" tabindex=\"0\" href=\"https:\/\/nadereartsvivants.com\/en\/dixparue\/\"><div class=\"x-anchor-content\"><span class=\"x-graphic\" aria-hidden=\"true\"><i class=\"x-icon x-graphic-child x-graphic-icon x-graphic-primary\" aria-hidden=\"true\" data-x-icon-l=\"&#xf0fe;\"><\/i><\/span><\/div><\/a><\/div><\/div><div class=\"x-container marginless-columns e477-e37 md9-1\"><div class=\"x-column x-sm x-1-3 e477-e38 md9-2 md9-3\"><a class=\"x-image e477-e39 md9-5\" href=\"https:\/\/nadereartsvivants.com\/en\/bath-house\/\"><img decoding=\"async\" src=\"https:\/\/nadereartsvivants.com\/wp-content\/uploads\/2019\/07\/Bath-House-4-crop.jpg\" width=\"1200\" height=\"1799\" alt=\"Image\" loading=\"lazy\"><\/a><\/div><div class=\"x-column x-sm x-2-3 e477-e40 md9-2 md9-4\"><div class=\"x-text x-text-headline e477-e41 md9-6\"><div class=\"x-text-content\"><div class=\"x-text-content-text\"><h1 class=\"x-text-content-text-primary\">Bath House<\/h1><\/div><\/div><\/div><div class=\"x-text x-content e477-e42 md9-7 md9-8\"><p>Witnesses, the spectators' bodies form large walls around the stage and look down on the contortionist bodies at ground level. <br \/>\nCreation : 2013<\/p><\/div><a class=\"x-anchor x-anchor-button has-graphic e477-e43 md9-a md9-d\" tabindex=\"0\" href=\"https:\/\/nadereartsvivants.com\/en\/bath-house\/\"><div class=\"x-anchor-content\"><span class=\"x-graphic\" aria-hidden=\"true\"><i class=\"x-icon x-graphic-child x-graphic-icon x-graphic-primary\" aria-hidden=\"true\" data-x-icon-l=\"&#xf0fe;\"><\/i><\/span><\/div><\/a><\/div><\/div><div class=\"x-container marginless-columns e477-e44 md9-1\"><div class=\"x-column x-sm x-1-3 e477-e45 md9-2 md9-3\"><a class=\"x-image e477-e46 md9-5\" href=\"https:\/\/nadereartsvivants.com\/en\/mange-moi\/\"><img decoding=\"async\" src=\"https:\/\/nadereartsvivants.com\/wp-content\/uploads\/2019\/07\/Andreane-Leclerc-59-crop.jpg\" width=\"1201\" height=\"1800\" alt=\"Image\" loading=\"lazy\"><\/a><\/div><div class=\"x-column x-sm x-2-3 e477-e47 md9-2 md9-4\"><div class=\"x-text x-text-headline e477-e48 md9-6\"><div class=\"x-text-content\"><div class=\"x-text-content-text\"><h1 class=\"x-text-content-text-primary\">Mange-Moi<\/h1><\/div><\/div><\/div><div class=\"x-text x-content e477-e49 md9-7 md9-8\"><p>Mange-Moi is a female contortionist's view of contortion, often performed by young girls, and of the sexualized image that can be projected towards the audience. Mange-Moi exposes this body, making the artist and the spectator who watches her fully aware of her fragility, her sexuality and her femininity. A process of empowerment through the objectification of one's body, Mange-Moi seeks to create a protective distance between the soul and the body.<br \/>\nCreation 2013<\/p><\/div><a class=\"x-anchor x-anchor-button has-graphic e477-e50 md9-a md9-d\" tabindex=\"0\" href=\"https:\/\/nadereartsvivants.com\/en\/mange-moi\/\"><div class=\"x-anchor-content\"><span class=\"x-graphic\" aria-hidden=\"true\"><i class=\"x-icon x-graphic-child x-graphic-icon x-graphic-primary\" aria-hidden=\"true\" data-x-icon-l=\"&#xf0fe;\"><\/i><\/span><\/div><\/a><\/div><\/div><div class=\"x-container marginless-columns e477-e51 md9-1\"><div class=\"x-column x-sm x-1-3 e477-e52 md9-2 md9-3\"><a class=\"x-image e477-e53 md9-5\" href=\"https:\/\/nadereartsvivants.com\/en\/insucube\/\"><img decoding=\"async\" src=\"https:\/\/nadereartsvivants.com\/wp-content\/uploads\/2019\/07\/Holly_Andreanne-7-crop-1.jpg\" width=\"1200\" height=\"1800\" alt=\"Image\" loading=\"lazy\"><\/a><\/div><div class=\"x-column x-sm x-2-3 e477-e54 md9-2 md9-4\"><div class=\"x-text x-text-headline e477-e55 md9-6\"><div class=\"x-text-content\"><div class=\"x-text-content-text\"><h1 class=\"x-text-content-text-primary\">InSuccube<\/h1><\/div><\/div><\/div><div class=\"x-text x-content e477-e56 md9-7 md9-8\"><p>Two mothers, two sisters, two actresses and two courtesans; a stripper and a contortionist; a singer and a whip manipulator. Women, they sail the ocean on a glass boat. Goddesses with siren songs, they will train you and guide you into the shallows of your dreams and fantasies.<br \/>\nCreation : 2012<\/p><\/div><a class=\"x-anchor x-anchor-button has-graphic e477-e57 md9-a md9-b\" tabindex=\"0\" href=\"https:\/\/nadereartsvivants.com\/en\/insucube\/\"><div class=\"x-anchor-content\"><span class=\"x-graphic\" aria-hidden=\"true\"><i class=\"x-icon x-graphic-child x-graphic-icon x-graphic-primary\" aria-hidden=\"true\" data-x-icon-l=\"&#xf0fe;\"><\/i><\/span><\/div><\/a><\/div><\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>&Agrave; l&#8217;Est de NodA physical reflection on boundaries and delimitations, this creation questions our relationship to the physical, disciplinary and belief space in order to implode the product-producer system and penetrate an area where there is only energy exchange, wandering and movement, and no end in itself. Creation : 2021Sang BleuSang Bleu is an exploration of the body and its &#8230; <a href=\"https:\/\/nadereartsvivants.com\/en\/creation\/\" class=\"more-link\">Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":"","_links_to":"","_links_to_target":""},"class_list":["post-477","page","type-page","status-publish","hentry","no-post-thumbnail"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.4 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Creation - Nad\u00e8re arts vivants<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/nadereartsvivants.com\/en\/creation\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Creation - Nad\u00e8re arts vivants\" \/>\n<meta property=\"og:description\" content=\"&Agrave; l&#039;Est de NodA physical reflection on boundaries and delimitations, this creation questions our relationship to the physical, disciplinary and belief space in order to implode the product-producer system and penetrate an area where there is only energy exchange, wandering and movement, and no end in itself. 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