{"id":512,"date":"2019-07-21T09:42:28","date_gmt":"2019-07-21T13:42:28","guid":{"rendered":"https:\/\/nadereartsvivants.com\/lerrante\/"},"modified":"2024-12-05T16:10:43","modified_gmt":"2024-12-05T21:10:43","slug":"a-lest-de-nod","status":"publish","type":"page","link":"https:\/\/nadereartsvivants.com\/en\/a-lest-de-nod\/","title":{"rendered":"\u00c0 l&#8217;est de Nod"},"content":{"rendered":"<div id=\"cs-content\" class=\"cs-content\"><div class=\"x-section e512-e1 me8-0\"><div class=\"x-container marginless-columns e512-e2 me8-1 me8-2\"><div class=\"x-column x-sm x-1-2 e512-e3 me8-4 me8-5\"><span class=\"x-image e512-e4 me8-7 me8-8\"><img decoding=\"async\" src=\"https:\/\/nadereartsvivants.com\/wp-content\/uploads\/2022\/03\/\u00a9Leduc-1web-8446.jpg\" width=\"1331\" height=\"2000\" alt=\"Image\" loading=\"lazy\"><\/span><hr class=\"x-line e512-e5 me8-a\"\/><span class=\"x-image e512-e6 me8-7 me8-9\"><img decoding=\"async\" src=\"https:\/\/nadereartsvivants.com\/wp-content\/uploads\/2024\/11\/\u00a9Leduc-1web-8911.jpg\" width=\"1000\" height=\"665\" alt=\"Image\" loading=\"lazy\"><\/span><hr class=\"x-line e512-e7 me8-a\"\/><span class=\"x-image e512-e8 me8-7 me8-9\"><img decoding=\"async\" src=\"https:\/\/nadereartsvivants.com\/wp-content\/uploads\/2024\/11\/ALEDN_Repentigny-072dpi@Christian-Leduc-9513.jpg\" width=\"1000\" height=\"665\" alt=\"Image\" loading=\"lazy\"><\/span><hr class=\"x-line e512-e9 me8-a\"\/><span class=\"x-image e512-e10 me8-7 me8-9\"><img decoding=\"async\" src=\"https:\/\/nadereartsvivants.com\/wp-content\/uploads\/2024\/11\/781-scaled.jpg\" width=\"1280\" height=\"853\" alt=\"Image\" loading=\"lazy\"><\/span><hr class=\"x-line e512-e11 me8-a\"\/><span class=\"x-image e512-e12 me8-7 me8-9\"><img decoding=\"async\" src=\"https:\/\/nadereartsvivants.com\/wp-content\/uploads\/2024\/11\/ALEDN_MARouyn_select-300dpi\u00a9Christian_Leduc-8726-scaled.jpg\" width=\"1280\" height=\"851\" alt=\"Image\" loading=\"lazy\"><\/span><hr class=\"x-line e512-e13 me8-a\"\/><span class=\"x-image e512-e14 me8-7 me8-9\"><img decoding=\"async\" src=\"https:\/\/nadereartsvivants.com\/wp-content\/uploads\/2024\/11\/ALEDN_MARouyn_select-300dpi\u00a9Christian_Leduc-7934-scaled.jpg\" width=\"851\" height=\"1280\" alt=\"Image\" loading=\"lazy\"><\/span><hr class=\"x-line e512-e15 me8-a\"\/><div class=\"x-frame x-frame-video-embed e512-e16 me8-b me8-c me8-e\"><div class=\"x-frame-inner\"><div class=\"x-video x-video-embed\"><div style=\"padding:52.73% 0 0 0;position:relative;\"><iframe src=\"https:\/\/player.vimeo.com\/video\/698209832?badge=0&amp;autopause=0&amp;quality_selector=1&amp;player_id=0&amp;app_id=58479\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture\" style=\"position:absolute;top:0;left:0;width:100%;height:100%;\" title=\"\u00c0 l'Est de Nod - version courte\"><\/iframe><\/div><script src=\"https:\/\/player.vimeo.com\/api\/player.js\"><\/script><\/div><\/div><\/div><hr class=\"x-line e512-e17 me8-a\"\/><div class=\"x-frame x-frame-video-embed e512-e18 me8-b me8-d me8-e\"><div class=\"x-frame-inner\"><div class=\"x-video x-video-embed\"><div style=\"padding:56.25% 0 0 0;position:relative;\"><iframe src=\"https:\/\/player.vimeo.com\/video\/824956489?badge=0&amp;autopause=0&amp;quality_selector=1&amp;player_id=0&amp;app_id=58479\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture\" style=\"position:absolute;top:0;left:0;width:100%;height:100%;\" title=\"La for\u00eat, temps 1 d'\u00c0 l'Est de Nod au Festival Internacional de Buenos Aires (mars 2023) - teaser\"><\/iframe><\/div><script src=\"https:\/\/player.vimeo.com\/api\/player.js\"><\/script><\/div><\/div><\/div><hr class=\"x-line e512-e19 me8-a\"\/><hr class=\"x-line e512-e20 me8-a\"\/><div class=\"x-frame x-frame-video-embed e512-e21 me8-b me8-d me8-e\"><div class=\"x-frame-inner\"><div class=\"x-video x-video-embed\"><div style=\"padding:56.25% 0 0 0;position:relative;\"><iframe src=\"https:\/\/player.vimeo.com\/video\/791956515?badge=0&amp;autopause=0&amp;quality_selector=1&amp;player_id=0&amp;app_id=58479\" frameborder=\"0\" allow=\"autoplay; 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La Grainerie \/ Biennale internationale des Arts vivants de Toulouse (septembre 2022)\"><\/iframe><\/div><script src=\"https:\/\/player.vimeo.com\/api\/player.js\"><\/script><\/div><\/div><\/div><hr class=\"x-line e512-e25 me8-a\"\/><hr class=\"x-line e512-e26 me8-a\"\/><div class=\"x-frame x-frame-video-embed e512-e27 me8-b me8-d me8-e\"><div class=\"x-frame-inner\"><div class=\"x-video x-video-embed\"><div style=\"padding:56.25% 0 0 0;position:relative;\"><iframe src=\"https:\/\/player.vimeo.com\/video\/650024596?badge=0&amp;autopause=0&amp;quality_selector=1&amp;player_id=0&amp;app_id=58479\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture\" style=\"position:absolute;top:0;left:0;width:100%;height:100%;\" title=\"La for\u00eat, temps 1 d'\u00c0 l'Est de Nod \u00b7 Sortie de r\u00e9sidence \u00b7 Festival Int. de Danza Jalisco \u00b7 Guadalajara \u00b7 Octobre 2021 \u00b7 teaser\"><\/iframe><\/div><script src=\"https:\/\/player.vimeo.com\/api\/player.js\"><\/script><\/div><\/div><\/div><hr class=\"x-line e512-e28 me8-a\"\/><div class=\"x-text x-content e512-e29 me8-f me8-g\"><p style=\"text-align: center;\"><span class=\"ILfuVd\"><span class=\"hgKElc\">&copy;<\/span><\/span> Christian Leduc<\/p><\/div><hr class=\"x-line e512-e30 me8-a\"\/><\/div><div class=\"x-column x-sm x-1-2 e512-e31 me8-4 me8-6\"><div class=\"x-container e512-e32 me8-2 me8-3\"><div class=\"x-column x-sm x-1-1 e512-e33 me8-4\"><div class=\"x-text x-text-headline e512-e34 me8-i\"><div class=\"x-text-content\"><div class=\"x-text-content-text\"><h1 class=\"x-text-content-text-primary\">&Agrave; l'Est de Nod<\/h1><\/div><\/div><\/div><div class=\"x-text x-content e512-e35 me8-g me8-h\"><div class=\"caps\">\n<p><strong>Status<\/strong>&nbsp;<br \/>AVAILABLE FOR TOUR<\/p>\n<p><strong>Year of creation <br \/><\/strong>2022<\/p>\n<p><strong>Duration<\/strong> <br \/>4-HOUR CONTINUOUS PERFORMANCE INSTALLATION, AMBULATORY AND VARIABLE DURATION FOR THE SPECTATOR<\/p>\n<\/div>\n<p><em>&Agrave; l'Est de Nod<\/em> unfolds in 3 performance-installations within which spectators will wander at their own pace through <em>La for&ecirc;t, L'errant&middot;e<\/em> and<em> L'ab&icirc;me<\/em>.<\/p>\n<p>This evolving creation, with thirteen performers, proposes an experiential reflection on the physical and psychic limits, both intimate and political, that we share.<\/p>\n<p>The artist and project leader Andr&eacute;ane Leclerc is inspired by the contortion she has been practicing for more than twenty years to create a score where different <em>nature-body<\/em> move, more instinctive and cosmic than social and disciplinary. The question \"<em>how contortion informs non-contortionist bodies<\/em>\" marks the starting point of this singular artistic approach that meditates and questions the concept of limit as a structure.<\/p>\n<p><em>*artwork filed with the SACD under number 933-20 dated December 09, 2020<\/em><\/p><\/div><\/div><\/div><div class=\"x-acc e512-e36 me8-j\" id=\"x-acc-e512-e36\"><div class=\"e512-e37 x-acc-item\"><button id=\"tab-e512-e37\" class=\"x-acc-header x-active\" role=\"button\" type=\"button\" aria-expanded=\"true\" aria-controls=\"panel-e512-e37\" data-x-toggle=\"collapse\" data-x-toggleable=\"e512-e37\"><span class=\"x-acc-header-content\"><span class=\"x-acc-header-indicator\">&#x25b8;<\/span><span class=\"x-acc-header-text\">Credits<\/span><\/span><\/button><div id=\"panel-e512-e37\" role=\"region\" aria-hidden=\"false\" aria-labelledby=\"tab-e512-e37\" data-x-toggleable=\"e512-e37\" data-x-toggle-collapse=\"1\"><div class=\"x-acc-content\"><h5>Conception and choreographic installation<\/h5>\n<p><strong>Andr\u00e9ane Leclerc<\/strong><\/p>\n\n<h5>dramaturgy<\/h5>\n<p><strong>Myriam Perraton-Lambert<\/strong><\/p>\n\n<h5>Performers<\/h5>\n<h5>performers of la for\u00eat (qu\u00e9bec<span class=\"s1\">)<\/span><\/h5>\n<p class=\"p1\"><b>Robert Abubo, Maxime D.-Pomerlau, Bailey Eng, <\/b><b>Sabine Jean, H<\/b><b>oor Malas, Marc-Andr\u00e9 Goulet , David Menes Rodriguez, <\/b><b>Neil Sochasky, <\/b><b>Anna Vigeland, <br \/>\n<\/b><\/p>\n\n<h5 class=\"p1\"><span class=\"s1\">performers of L'errant.e<\/span><\/h5>\n<p class=\"p1\"><b>Ivanie Aubin-Malo, Sonia Bustos, Hoor Malas<\/b><\/p>\n\n<h5 class=\"p1\"><span class=\"s1\">performer of L'ab\u00eeme<\/span><\/h5>\n<p class=\"p1\"><b>Neil Sochasky<\/b><\/p>\n\n<h5>Compositor and sound conception<\/h5>\n<p><strong>F\u00e9lix-Antoine Morin<\/strong><\/p>\n\n<h5>Costumes<\/h5>\n<p><strong>Olivia Pia-Audet<\/strong><\/p>\n\n<h5>scenograph and lightning conceptor<\/h5>\n<p><strong>C\u00e9dric Delorme -<\/strong><strong>Bouchard<\/strong><\/p>\n\n<h5 class=\"p1\">PROGRAMER and technical director<\/h5>\n<p class=\"p2\"><strong>Valentin Foch<\/strong><\/p>\n\n<h5 class=\"p1\">producer<\/h5>\n<p class=\"p2\"><strong>Geoffroy Faribault<\/strong><\/p>\n\n<h5 class=\"p1\">PRODUCTION<\/h5>\n<p class=\"p2\"><strong>Nad\u00e8re arts vivants<\/strong><\/p>\n\n<h5>Performeur.e.s de La for\u00eat, Lanaudi\u00e8re, CANADA (septembre 2023)<\/h5>\n<p><b>Eve Constantin, Florence Frappier, Marie-Eve Quilicot, Olivier Rousseau, Evelyne Laforest, Sabine Jean, Robert Abubo, David Menes, Nasim Lootij<\/b><\/p>\n\n<h5>Performeur.e.s de La for\u00eat, Buenos-Aires, Argentine (Mars 2023)<\/h5>\n<p><strong>Interpreters of <\/strong><strong>Compa\u00f1\u00eda Nacional de Danza Contempor\u00e1nea <\/strong><strong>(Buenos Aires) Alonso Y\u00e9sica, Chac\u00f3n Oribe Ernesto, Codazzi Maria del Mar, Delfino Victoria, Del Hoyo Magal\u00ed, Fermani Pablo, Franco Diego, Franco Liber, Gatto Leonardo, Gonz\u00e1lez Juan Pablo, Guillermo Yamila, Hidalgo Victoria, Jim\u00e9nez Farf\u00e1n, Juan Salvador, L\u00f3pez Virginia, Maas In\u00e9s, Miranda Nicol\u00e1s, Peralta Rafael, Podesta Mauro, Quint\u00e1 Bettina, Rodriguez Candela, Viberti Victoria ; and performeur (Montr\u00e9al) Neil Sochasky <\/strong><\/p>\n\n<h5>Performers of La For\u00eat,, merdia, mexico (december 2022)<\/h5>\n<p><strong>Katia Orozco, Carmen Ixchel Maya, Abraham Balti\u00e9rrez, Ana Luz Hernandez, Emilia Carolina Yupit, Leandra Andrian, Andrea Ponce Enriquez, Alina Fonseca Fernandez, Antelmo Sebastian Chan<\/strong><\/p>\n\n<h5>Performers of La For\u00eat, Toulouse, france (october 2022)<\/h5>\n<p><strong>Colline Arnaud, Cassia Barbossa, Rodrigo Ceribelli, Marie Clain, C\u00e9line Couronne, Chiko Denya, \u00c9liel Dias, Ronan Lima Perira dos Santos, Aude Moatti, Tanah\u00e9 Prouhet, Marianna De Sanctis, Anna Vigeland, Sofia Zam<\/strong><\/p>\n\n<h5>Performers of La For\u00eat, Rouyn-Noranda, canada (february 2022)<\/h5>\n<p><strong>H\u00e9l\u00e8ne Bacquet, Alexandre Castonguay, Marie-Eve de Chavigny, Gabrielle Demers, Edith Fluet, Adam Foucher, Beatriz Mediavilla, Julie Mercier, Jie Yu<\/strong><\/p>\n\n<h5>Performers of La For\u00eat, Guadalajara, mexico (october 2021)<\/h5>\n<p><strong>Alejandra Marlet Torres Mart\u00ednez, Cesar Octavio Garza Rodr\u00edguez, Eduardo Maga\u00f1a N\u00fa\u00f1ez, G\u00e9nesis Gisela Velasco Hern\u00e1ndez, Ilse Orozco Corona, Itzel Barajas Fern\u00e1ndez, Jes\u00fas Antonio Padilla Flores, Jonathan Michelle Torres Alzaga, Jorge Luis Betancourt Nu\u00f1ez, No\u00e9 Vald\u00e9s Vega, Sandra Iba\u00f1ez Ram\u00edrez, Sibel V\u00e1zquez Gonz\u00e1lez, Mar\u00eda Fernanda Romo Mart\u00ednez, Zitztinemi Estefan\u00eda Zuno Vargas<\/strong><\/p>\n\n<h5>Performers of La For\u00eat, CEPRODAC, mexico city, mexico (december 2019)<\/h5>\n<p><strong>Ana Paula Ricalde Castillo, Bryant Pintori, Claudia Olvera, Ernesto Peart, Guillermo iv Obele, Guillermo Magall\u00f3n Armenta, Hector Manuel Ortiz Valdovinos, Ilse Orozco, Jairo Cruz Gonz\u00e1lez, Jorge Emmanuelle Sanders, Juan Angel Garnica Vazquez, Luis alberto Ortega, Maria Alejandra Corona Perez, Marlene Coronel, Paulina Del Carmen, Paulino Josafat Medina Dominguez, Samy Nevarez, Sergio Anselmo Orozco, Yansi M\u00e8ndez Bautista, Zuri Gonz\u00e1lez Fuente.<\/strong><\/p>\n\n<h5>research participants<\/h5>\n<p><strong>Peter Balov, Marie-\u00c8ve B\u00e9langer, Kim-Sanh Chau, Kevin \"Bboy SoNik\" Desriveaux, St\u00e9phane Gentilini, Bonny Giroux, Sofija Jovanovic, Alanna Kraaijveld, Victoria Mackenzie, Chlo\u00e9 Ouellet-Payeur, Pascale T\u00e9trault, Luis Fernando Snoopy Torresvery.<\/strong><\/p>\n\n<h5>Co-production<\/h5>\n<p><strong>\u00a0La Grainerie \u2013 Fabrique des arts du cirque et de l\u2019itin\u00e9rance \u2013 P\u00f4le europ\u00e9en de la Production \/ Balma \u2013 Toulouse M\u00e9tropole ; le Mus\u00e9e d\u2019Art de Rouyn-Noranda et La Chapelle Sc\u00e8nes contemporaines ; le Service culturel de Saint-Orens de Gameville (Fr) ; l'Usine - Centre national des arts de la rue et de l'espace public (Tournefeuille\/Toulouse M\u00e9tropole, Fr) ; la Biennale Internationale des Arts Vivants de Toulouse M\u00e9tropole (Fr).<\/strong><\/p>\n\n<h5>Residencies<\/h5>\n<p dir=\"ltr\"><strong>Mus\u00e9e d'Art de Rouyn-Noranda, Festival Internacional de Danza Jalisco, Patro VIlleray - centre de loisirs et d'entraide, Diagramme Studio Solidaires, Studio Flak, Place des Arts, Centre culturel et Maison de la Culture Notre-Dame-de-Gr\u00e2ce, Centro de Producci\u00f3n de Danza Contempor\u00e1nea - Ceprodac, Centro de las Artes de San Luis Potos\u00ed Centenario, Centro per le Arti Opificio Siri, Th\u00e9\u00e2tre La Chapelle Sc\u00e8nes contemporaines, P\u00f4le Territoire Danse, Notre-Dame-des-Prairies.<br \/>\n<\/strong><\/p>\n\n<h5><span style=\"font-size: 1em; font-family: inherit; background-color: #ffe300;\">supported by<\/span><\/h5>\n<p dir=\"ltr\"><strong>Conseil des arts de Montr\u00e9al, Conseil des arts et des lettres du Qu\u00e9bec, Conseil des arts du Canada, Minist\u00e8re des Relations internationales et de la Francophonie du Qu\u00e9bec, Minist\u00e8re de la culture et des communications du Qu\u00e9bec, Secretar\u00eda de Cultura de Jalisco, Gobierno del Estado de Jalisco, Consejo Estatal de Ciencia y Tecnolog\u00eda de Jalisco, SACD.<\/strong><\/p>\n<p><strong style=\"font-family: inherit; font-size: 1em;\">\u00a0<\/strong><\/p><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>&copy; Christian Leduc&Agrave; l&#8217;Est de Nod Status&nbsp;AVAILABLE FOR TOUR Year of creation 2022 Duration 4-HOUR CONTINUOUS PERFORMANCE INSTALLATION, AMBULATORY AND VARIABLE DURATION FOR THE SPECTATOR &Agrave; l&#8217;Est de Nod unfolds in 3 performance-installations within which spectators will wander at their own pace through La for&ecirc;t, L&#8217;errant&middot;e and L&#8217;ab&icirc;me. This evolving creation, with thirteen performers, proposes an experiential reflection on the &#8230; <a href=\"https:\/\/nadereartsvivants.com\/en\/a-lest-de-nod\/\" class=\"more-link\">Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":"","_links_to":"","_links_to_target":""},"class_list":["post-512","page","type-page","status-publish","hentry","no-post-thumbnail"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.4 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>\u00c0 l&#039;est de Nod - Nad\u00e8re arts vivants<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/nadereartsvivants.com\/en\/a-lest-de-nod\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u00c0 l&#039;est de Nod - Nad\u00e8re arts vivants\" \/>\n<meta property=\"og:description\" content=\"&copy; Christian Leduc&Agrave; l&#039;Est de Nod Status&nbsp;AVAILABLE FOR TOUR Year of creation 2022 Duration 4-HOUR CONTINUOUS PERFORMANCE INSTALLATION, AMBULATORY AND VARIABLE DURATION FOR THE SPECTATOR &Agrave; l&#039;Est de Nod unfolds in 3 performance-installations within which spectators will wander at their own pace through La for&ecirc;t, L&#039;errant&middot;e and L&#039;ab&icirc;me. 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This evolving creation, with thirteen performers, proposes an experiential reflection on the ... 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