{"id":518,"date":"2019-07-24T13:06:55","date_gmt":"2019-07-24T17:06:55","guid":{"rendered":"https:\/\/nadereartsvivants.com\/cherepaka\/"},"modified":"2024-12-05T16:09:17","modified_gmt":"2024-12-05T21:09:17","slug":"cherepaka","status":"publish","type":"page","link":"https:\/\/nadereartsvivants.com\/en\/cherepaka\/","title":{"rendered":"Cherepaka"},"content":{"rendered":"<div id=\"cs-content\" class=\"cs-content\"><div class=\"x-section e518-e1 mee-0 mee-1\"><div class=\"x-container marginless-columns e518-e2 mee-4 mee-5\"><div class=\"x-column x-sm x-1-2 e518-e3 mee-7 mee-8 mee-9 mee-a mee-b\"><span class=\"x-image e518-e4 mee-g mee-h\"><img decoding=\"async\" src=\"https:\/\/nadereartsvivants.com\/wp-content\/uploads\/2024\/11\/cherapaka-300dpi\u00a9Christian_Leduc-4465-scaled.jpg\" width=\"1280\" height=\"851\" alt=\"Image\" loading=\"lazy\"><\/span><span class=\"x-image e518-e5 mee-g mee-h\"><img decoding=\"async\" src=\"https:\/\/nadereartsvivants.com\/wp-content\/uploads\/2024\/11\/cherapaka-300dpi\u00a9Christian_Leduc-4072-scaled.jpg\" width=\"851\" height=\"1280\" alt=\"Image\" loading=\"lazy\"><\/span><span class=\"x-image e518-e6 mee-g mee-h\"><img decoding=\"async\" src=\"https:\/\/nadereartsvivants.com\/wp-content\/uploads\/2024\/11\/cherapaka-300dpi\u00a9Christian_Leduc-4534-scaled.jpg\" width=\"1280\" height=\"851\" alt=\"Image\" loading=\"lazy\"><\/span><span class=\"x-image e518-e7 mee-g mee-h\"><img decoding=\"async\" src=\"https:\/\/nadereartsvivants.com\/wp-content\/uploads\/2024\/11\/cherapaka-300dpi\u00a9Christian_Leduc-4593-scaled.jpg\" width=\"1280\" height=\"851\" alt=\"Image\" loading=\"lazy\"><\/span><div class=\"x-content-area e518-e8 mee-j margin-gallery\"><\/div><div class=\"x-frame x-frame-video-embed e518-e9 mee-k mee-l mee-m mee-n\"><div class=\"x-frame-inner\"><div class=\"x-video x-video-embed\"><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/111933678?title=0&byline=0&portrait=0\" width=\"640\" height=\"360\" frameborder=\"0\" allow=\"autoplay; fullscreen\" allowfullscreen><\/iframe>\n<p><a href=\"https:\/\/vimeo.com\/275857294\">Sang Bleu teaser<\/a> from <a href=\"https:\/\/vimeo.com\/user9887175\">andreane leclerc<\/a> on <a href=\"https:\/\/vimeo.com\">Vimeo<\/a>.<\/p><\/div><\/div><\/div><\/div><div class=\"x-column x-sm x-1-2 e518-e10 mee-7 mee-8 mee-9 mee-c\"><div class=\"x-container e518-e11 mee-5 mee-6\"><div class=\"x-column x-sm x-1-1 e518-e12 mee-7 mee-9 mee-d\"><div class=\"x-text x-text-headline e518-e13 mee-q mee-r\"><div class=\"x-text-content\"><div class=\"x-text-content-text\"><h1 class=\"x-text-content-text-primary\">Cherepaka<\/h1><\/div><\/div><\/div><blockquote class=\"x-quote e518-e14 mee-t\"><div class=\"x-quote-content\"><div class=\"x-quote-text\">\u00ab Andr\u00e9ane Leclerc's naked sincerity, the strict sobriety of her staging and the luminous and sonorous atmosphere that seems to spring from the artist's body, nail the audience to the chair to breathe with her and with her to brush against despair. \u00bb\n<\/div><footer class=\"x-quote-cite\"><span class=\"x-quote-cite-text\">Jordi Jan\u00e9, Serra d\u2019Or #662, 2015 \u2013 Barcelone<\/span><\/footer><\/div><\/blockquote><div class=\"x-text x-content e518-e15 mee-u mee-v\"><div class=\"caps\">\n<p><strong>Status<\/strong><br \/>\navailable for tour<\/p>\n<p><strong>Year of creation<\/strong><br \/>\n2014<\/p>\n<p><strong>Duration<\/strong><br \/>\n55 minutes<\/p>\n\n<\/div>\n<p>Cherepaka means turtle in Russian. Composed of a shell and flesh, the Turtle carries within it the duality between eternity and ephemerality. Cherepaka depicts the death of a turtle and echoes the tension that inhabits human beings between their quest for infinity and the mortality of their animal flesh.<\/p>\n<p>Inspired by Francis Bacon's paintings and Deleuze's \"logic of sensation\", this essay, conceived as a painting, seeks to stimulate the spectator's imagination through a scenic writing based on a reinterpretation of the technique of contortion.<\/p>\n<p>Photo credit: Christian Leduc<\/p>\n<p><span class=\"person_name\"><strong>MASTER THESIS<\/strong><br \/>\n(French only) Leclerc, Andr\u00e9ane<\/span>\u00a0(2013).\u00a0<a href=\"http:\/\/archipel.uqam.ca\/5509\/\">\u00ab Entre contorsion et \u00e9criture sc\u00e9nique : la prouesse comme technique \u00e9vocatrice de sens \u00bb<\/a>\u00a0M\u00e9moire. Montr\u00e9al (Qu\u00e9bec, Canada), Universit\u00e9 du Qu\u00e9bec \u00e0 Montr\u00e9al, Ma\u00eetrise en th\u00e9\u00e2tre.<\/p><\/div><\/div><\/div><div class=\"x-acc e518-e16 mee-z\" id=\"x-acc-e518-e16\"><div class=\"e518-e17 x-acc-item\"><button id=\"tab-e518-e17\" class=\"x-acc-header x-active\" role=\"button\" type=\"button\" aria-expanded=\"true\" aria-controls=\"panel-e518-e17\" data-x-toggle=\"collapse\" data-x-toggleable=\"e518-e17\"><span class=\"x-acc-header-content\"><span class=\"x-acc-header-indicator\">&#x25b8;<\/span><span class=\"x-acc-header-text\">Credits<\/span><\/span><\/button><div id=\"panel-e518-e17\" role=\"region\" aria-hidden=\"false\" aria-labelledby=\"tab-e518-e17\" data-x-toggleable=\"e518-e17\" data-x-toggle-collapse=\"1\"><div class=\"x-acc-content\"><h5>Conception<\/h5>\n<p><strong>Andr&eacute;ane Leclerc<\/strong><\/p>\n<h5>Performance<\/h5>\n<p><strong>Andr&eacute;ane Leclerc<\/strong><\/p>\n<h5>Dramaturgy<\/h5>\n<p><strong>Aline Muheim<\/strong><\/p>\n<h5>Lighting and sound environment<\/h5>\n<p><strong>Alexis Bowles<\/strong><\/p>\n<h5>Costumes<\/h5>\n<p><strong>Maril&egrave;ne Bastien<\/strong><\/p>\n<h5>Photographers<\/h5>\n<p><strong>Tristan Brand<\/strong><br \/><strong>Marc-Andr&eacute; Goulet<\/strong><br \/><strong>Fr&eacute;d&eacute;ric Chais<\/strong><br \/><strong>Svetla Atanasova<br \/>Anne-Sara Gendron<\/strong><\/p>\n<h5>Production<\/h5>\n<p><strong>Nad&egrave;re arts vivants<\/strong><\/p>\n<h5>Premiere<\/h5>\n<p><strong>Cherepaka a &eacute;t&eacute; cr&eacute;&eacute;e dans le cadre de la Ma&icirc;trise en th&eacute;&acirc;tre &agrave; l&rsquo;Universit&eacute; du Qu&eacute;bec &agrave; Montr&eacute;al (novembre 2011)<\/strong><br \/><strong> Chicago Contemporary Circus Festival, janvier 2014<\/strong><\/p>\n<h5>Cherepaka was presented<\/h5>\n<p><strong>Tokyo Performing Arts Meeting (Tokyo), <\/strong><strong>Les Plateaux de la Briqueterie (Paris), D-CAF Festival (Le Caire), Teatro Leal (San Crist&oacute;bal de La Laguna), Teatro Circo Murcia (Braga), Sala Hiroshima (Barcelone), Palac Akropolis (Prague), Teater Republique (Copenhague), Circos (S&atilde;o Paolo), Festival Sism&ograve;graf (Olot), Mercat de les Flors (Barcelone), La Grainerie (Toulouse), Festival Mirabilia (Fossano), Pisteur d&rsquo;&Eacute;toiles (Obernai), Conseil des arts de Montr&eacute;al en tourn&eacute;e (Montr&eacute;al), Montr&eacute;al Compl&egrave;tement Cirque (Montr&eacute;al), Tangente &ndash; laboratoire de mouvements contemporains (Montr&eacute;al), Maison de la culture Notre-Dame-de-Gr&acirc;ce (Montr&eacute;al)<\/strong><\/p><\/div><\/div><\/div><\/div><\/div><\/div><\/div><div class=\"x-section e518-e18 mee-0 mee-2\"><\/div><div class=\"x-section e518-e19 mee-0 mee-1 mee-3\"><div class=\"x-container max width marginless-columns e518-e20 mee-4 mee-5\"><div class=\"x-column x-sm x-1-2 e518-e21 mee-7 mee-8 mee-e mee-f\"><span class=\"x-image e518-e22 mee-g mee-i\"><img decoding=\"async\" src=\"https:\/\/nadereartsvivants.com\/wp-content\/uploads\/2019\/07\/21-octobre-201406-Cherepaka-Andreane-Leclerc-F.chais97.jpg\" width=\"1741\" height=\"2611\" alt=\"Image\" loading=\"lazy\"><\/span><\/div><div class=\"x-column x-sm x-1-2 e518-e23 mee-7 mee-8 mee-b mee-e\"><div class=\"x-text x-text-headline e518-e24 mee-r mee-s\"><div class=\"x-text-content\"><div class=\"x-text-content-text\"><p class=\"x-text-content-text-primary\">Interview d'andr&eacute;ane leclerc<\/p><\/div><\/div><\/div><div class=\"x-text x-content e518-e25 mee-u mee-w mee-x\"><p><span class=\"person_name\"><span style=\"color: #ffffff;\">Dialogue entre Andr&eacute;ane Leclerc et Ariane Martinez, \"<a href=\"https:\/\/www.youtube.com\/watch?v=TJAmZllePuA\">Tous les vents qui traversent le corps et la t&ecirc;te, paroles et &eacute;critures du cirque<\/a>\", dans le cadre de la Biennale internationale des arts du cirque, 4 &amp; 5 f&eacute;vrier 2021.<\/span><br \/><\/span><\/p><\/div><div class=\"x-text x-content e518-e26 mee-u mee-w mee-x\"><p><span class=\"person_name\"><span style=\"color: #ffffff;\">Interview r&eacute;alis&eacute;e en octobre 2021 par les &eacute;tudiants de l'Universit&eacute; Toulouse - Le Mirail (France), suite &agrave; la pr&eacute;sentation de Di(X)parue par Andr&eacute;ane Leclerc. <\/span><br \/><\/span><\/p><\/div><div class=\"x-text x-content e518-e27 mee-u mee-w mee-y\"><h5><span class=\"person_name\" style=\"color: #ffffff;\">partie 1. Le parcours d'andr&eacute;ane leclerc<br \/><\/span><\/h5><\/div><div class=\"x-audio x-audio-player e518-e28 mee-10 mee-m mee-n mee-o\" data-x-element-mejs=\"\"><audio class=\"x-mejs advanced-controls\" preload=\"auto\"><source src=\"https:\/\/nadereartsvivants.com\/wp-content\/uploads\/2022\/03\/Q1_Son-parcours-.mp3\" type=\"audio\/mpeg\"><\/audio><\/div><div class=\"x-text x-content e518-e29 mee-u mee-w mee-y\"><h5><span class=\"person_name\" style=\"color: #ffffff;\">partie 2. DI(X)parue, le projet d'une vie<br \/><\/span><\/h5><\/div><div class=\"x-audio x-audio-player e518-e30 mee-10 mee-m mee-n mee-o\" data-x-element-mejs=\"\"><audio class=\"x-mejs advanced-controls\" preload=\"auto\"><source src=\"https:\/\/nadereartsvivants.com\/wp-content\/uploads\/2022\/03\/Q2_DiXparue-le-projet-dune-vie-.wav\" type=\"audio\/wav\"><\/audio><\/div><div class=\"x-text x-content e518-e31 mee-u mee-w mee-y\"><h5><span class=\"person_name\" style=\"color: #ffffff;\">partie 3. La contorsion comme philosophie<br \/><\/span><\/h5><\/div><div class=\"x-audio x-audio-player e518-e32 mee-10 mee-m mee-n mee-o\" data-x-element-mejs=\"\"><audio class=\"x-mejs advanced-controls\" preload=\"auto\"><source src=\"https:\/\/nadereartsvivants.com\/wp-content\/uploads\/2022\/03\/Q3_La-contorsion-comme-philosophie.wav\" type=\"audio\/wav\"><\/audio><\/div><div class=\"x-text x-content e518-e33 mee-u mee-w mee-y\"><h5><span class=\"person_name\" style=\"color: #ffffff;\">partie 4. la relation entre le corps et l'esprit<br \/><\/span><\/h5><\/div><div class=\"x-audio x-audio-player e518-e34 mee-10 mee-m mee-n mee-o\" data-x-element-mejs=\"\"><audio class=\"x-mejs advanced-controls\" preload=\"auto\"><source src=\"https:\/\/nadereartsvivants.com\/wp-content\/uploads\/2022\/03\/Q4_La-relation-entre-le-corps-et-lesprit.mp3\" type=\"audio\/mpeg\"><\/audio><\/div><div class=\"x-text x-content e518-e35 mee-u mee-w mee-y\"><h5><span class=\"person_name\" style=\"color: #ffffff;\">partie 5. di(x)parue, une cr&eacute;ation unique et &eacute;volutive<br \/><\/span><\/h5><\/div><div class=\"x-audio x-audio-player e518-e36 mee-10 mee-m mee-n mee-o\" data-x-element-mejs=\"\"><audio class=\"x-mejs advanced-controls\" preload=\"auto\"><source src=\"https:\/\/nadereartsvivants.com\/wp-content\/uploads\/2022\/03\/Q5_Dixparue-une-experience-unique-et-e\u0301volutive.wav\" type=\"audio\/wav\"><\/audio><\/div><div class=\"x-text x-content e518-e37 mee-u mee-w mee-y\"><h5><span class=\"person_name\" style=\"color: #ffffff;\">partie 6. performance, installation ou exercice m&eacute;ditatif ?<br \/><\/span><\/h5><\/div><div class=\"x-audio x-audio-player e518-e38 mee-10 mee-m mee-n mee-o\" data-x-element-mejs=\"\"><audio class=\"x-mejs advanced-controls\" preload=\"auto\"><source src=\"https:\/\/nadereartsvivants.com\/wp-content\/uploads\/2022\/03\/Q6_Performance-Installation-ou-exercice-me\u0301didatif-_-.wav\" type=\"audio\/wav\"><\/audio><\/div><div class=\"x-text x-content e518-e39 mee-u mee-w mee-y\"><h5><span class=\"person_name\" style=\"color: #ffffff;\">partie 7. quelle relation avec le public et quel cheminement int&eacute;rieur ?<br \/><\/span><\/h5><\/div><div class=\"x-audio x-audio-player e518-e40 mee-10 mee-m mee-o mee-p\" data-x-element-mejs=\"\"><audio class=\"x-mejs advanced-controls\" preload=\"auto\"><source src=\"https:\/\/nadereartsvivants.com\/wp-content\/uploads\/2022\/03\/Q7_Quelle-interaction-avec-le-public-_-Quelle-place-pour-les-autres-dans-ce-cheminement-interieur-_-.mp3\" type=\"audio\/mpeg\"><\/audio><\/div><\/div><\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Sang Bleu teaser from andreane leclerc on Vimeo.Cherepaka\u00ab Andr\u00e9ane Leclerc&#8217;s naked sincerity, the strict sobriety of her staging and the luminous and sonorous atmosphere that seems to spring from the artist&#8217;s body, nail the audience to the chair to breathe with her and with her to brush against despair. \u00bb Jordi Jan\u00e9, Serra d\u2019Or #662, 2015 \u2013 Barcelone Status available &#8230; <a href=\"https:\/\/nadereartsvivants.com\/en\/cherepaka\/\" class=\"more-link\">Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":"","_links_to":"","_links_to_target":""},"class_list":["post-518","page","type-page","status-publish","hentry","no-post-thumbnail"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.4 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Cherepaka - Nad\u00e8re arts vivants<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/nadereartsvivants.com\/en\/cherepaka\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Cherepaka - Nad\u00e8re arts vivants\" \/>\n<meta property=\"og:description\" content=\"Sang Bleu teaser from andreane leclerc on Vimeo.Cherepaka\u00ab Andr\u00e9ane Leclerc&#039;s naked sincerity, the strict sobriety of her staging and the luminous and sonorous atmosphere that seems to spring from the artist&#039;s body, nail the audience to the chair to breathe with her and with her to brush against despair. \u00bb Jordi Jan\u00e9, Serra d\u2019Or #662, 2015 \u2013 Barcelone Status available ... 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